Note : Normally, I would open the histogram in Studio 2 and use it to guide me in setting these values. Some refer to this as “setting the black and white point.” For this, I use the Basic Adjustment tool. After running the image through DeNoise AI and Sharpen AI, my next step is to make exposure adjustments.
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I think you’ll agree the software is very intelligent at choosing these settings for us. I can always override the software’s decision if I want. If you choose these values manually, be careful not to smooth your image with too high a setting in DeNoise, or over-sharpen your image in Sharpen AI. In the current versions of this software, however, the feature which automatically sets these values is spot on most of the time. Note : In earlier versions of DeNoise AI and Sharpen AI, I set the sharpen and de-noise values manually. I’ve done it both ways and I believe I see a negligible, or slightly better result when I run Sharpen AI as the second step in this workflow. Conventional wisdom suggests sharpening at the end of our workflow. Next, after DeNoise (and this is controversial), I run Sharpen AI.Note : If I’m processing a RAW black and white infrared image, my first step is to convert the image to B&W using the Black and White adjustment. It ensures that we’re not processing noise as we go through our workflow.
This is an important first step that eliminates or reduces noise before doing other processing.
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That means that in exchange for sharing my experience with these tools, I can offer you a discount code for 15% off Topaz tools and $10 off purchases of Luminar 4. Processed in Topaz Studio 2 with Impressionįull disclosure: In addition to being a fan and almost daily user of these tools, I’m also an affiliate representative for Topaz Labs and Luminar 4. More recently, I became acquainted with Skylum’s, Luminar 4, and have fallen in love with its powerful editing tools (many of which use artificial intelligence) and its intuitive interface, and, most importantly, its compatibility with Topaz Labs tools, many of which can be invoked as plugins in Luminar 4.
In the past year, I’ve begun using it to process select iPhone images, especially using Gigapixel AI to enlarge these smaller files for printing larger with integrity. I use this software, much of which employs artificial intelligence and machine learning, almost daily to process my Fuji and Lumix images, both color and infrared images, RAW and jpeg files. During that time the tools have improved, new tools have been introduced, and older tools have been replaced or retired. Topaz Labs’ tools have been a part of my workflow for about six years.
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